To my violin mentors, Felix Villanueva, Manuel Suarez, Vincent Frittelli, and Leonard Posner. To my dear brothers and sisters, Antonio, Yolanda, Graciela, Olga, Raul, and Celia. To my beloved parents, Antonio Barron Melendez and Celia Corvera Ruiz. To my son, Jorge Leonardo Barron Reimers, and my wife, Gabriela Reimers Acosta, with deep love and gratitude. The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48-1984). Library of Congress Catalog Card Number: 2004053171 ISBN: 3-9 ISSN: 0742-6968 First published in 2004 Praeger Publishers, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Copyright © 2004 by Jorge Barron Corvera All rights reserved. 95) Includes bibliographical references, discography, and indexes.
(Bio-bibliographies in music, ISSN 0742-6968 no. Manuel Maria Ponce : a bio-bibliography / Jorge Barron Corvera. Library of Congress Cataloging-in-Publication Data Barr6n Corvera, Jorge. MANUEL MARIA PONCE A Bio-Bibliography Jorge Barron Corveraīio-Bibliographies in Music, Number 95 Donald L. Ponce, Ayuntamiento deZacatecas, Heroes de Chapultepec 1110, Col. The downside of the “pimi” or “pmim” pattern is that some players may have difficulty playing them at fast speeds or may have problems with finger fatigue since one finger must be used twice in each cycle of the pattern.Manuel Maria Ponce.
It was a fun discussion and we both agreed to try each other’s pattern.īut, the point is that a “pimi” or “pmim” tremolo pattern, omitting the “a” finger, will inherently be more even and controllable than the traditional “pami” pattern. She understood my point but thought her pattern felt more natural to play. Therefore, my pattern makes more sense since it puts the stronger “m” finger on that slightly accented third note. I said, “Yes, that’s why I use ‘pimi’." The third note of the pattern should have a slight accent since metrically, the thumb is the downbeat and the third note is the upbeat in the 4-note group (I will explain this in detail later). But reluctantly, she finally admitted that “m” was stronger. After all, it’s kind of a badge of technical mastery to say that all of one’s fingers are equally strong and independent. So I asked her, “If you had to choose, which of your fingers is strongest, “i” or “m”?" At first, she didn’t want to admit that either one was stronger. She just did it, it worked, and she has used it ever since. She told me that early in her studies she couldn’t get the traditional “pami” pattern to work for her. I asked her how she came to use that pattern. "I spoke with the outstanding guitarist, Ana Vidovic about her tremolo. U/SpiderHippy's Epic List of Info Other Cool Reddits Leyendadb - searchable database of graded classical guitar music Graded music database - to check the difficulty of a pieceĬlassical guitar discord - PM u/onlyknowswonderwall for an invite Music, strings, and other resources
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